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The Search for the Perfect Purse

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And now for something superficial:

The purse, otherwise known as the handbag, might be a woman's most important accessory. But even the word accessory minimizes its role in an organized life. For a woman to be ready for anything, she needs a purse -- or handbag, if you insist -- that has the capacity to carry anything that might be needed in any situation.

For that reason, the purse has gotten larger over the past two centuries. In the 1800s, a woman needed to carry only a handkerchief, a comb and perhaps smelling salts. In the 1900s, when women began working at jobs outside the home, the need to carry a wallet, house keys, a lipstick, a powder compact, a brush, tissues, and possibly a sanitary napkin for "those" emergencies required a larger bag.

Today the handbag plays an even greater role. Aside from the aforementioned necessities, a woman must carry her cell phone, car keys, emergency medication, energy bars in the event of missed meals, condoms and a change of underwear for the unanticipated rendezvous, and if towing children around, goldfish crackers, wet wipes, a juice box and toys for entertaining a cranky child.

So what constitutes the perfect purse? Certainly not the pricey designer handbags that are architectural in design and made of the smoothest, softest dyed leather selling for hundreds and even thousands of dollars.

What do these bags lack? Practical features like two easily accessible pockets on the outside of the bag. These provide homes to the two most important tools -- car keys and cell phone. The bag must have a shoulder strap so it can be slung over the shoulder or across the chest when hands are needed for grocery shopping and carrying children or other packages.

The inside should have multiple sections and pockets so one can easily access other necessities like money, business cards, headache remedies, health insurance ID, tea bags and possibly even pepper spray. No matter what the eventuality, a woman needs to find the proper tool in her purse.

The purse must be made of sturdy enough material to hold up for a season and, if you're lucky, a whole year. While it need not be luxurious, it should not look like Queen Elizabeth's old-lady model. What does she carry in there? She has no need for money, a cell phone or a change of underwear one would presume.

So where do you find such a bag? My favorite source is discount stores that carry more expensive bags at reduced prices. I periodically cruise the handbag section in search of the purse. It usually takes a few trips to find one that meets most of the criteria.

Here's one with two pockets outside, but the pockets have zippers. The zippers do not allow for easy accessibility and also have the potential for scraping your hands when reaching for a ringing phone.

Here's one with inside pockets but no shoulder strap. Here's a beauty but with an opening two small to fit an iPad or an over-sized wallet. Here's one made of canvas. Ugh, too cheap looking. Here's one that looks just right but it already weighs five pounds before it has anything in it. Here's one that meets all the criteria, but it's studded with rhinestones. Who designs these things?

So my quest for the perfect purse continues. With each new acquisition, there is a compromise, but I remain hopeful. One day I will find the perfect purse and I will buy five of them so I don't have to worry about finding another for five or maybe even 10 years. That will be a day of celebration and a thank you to the purse gods who have finally heard my plea.

Avoiding the Wrong Eyelid Surgery

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Looks are largely genetic and whether we like to admit it or not, many of our defining features are directly inherited from our family members, especially with regard to our faces. Similarly to the way we inherit these features, the process by which these features change as we get older is also largely determined by our genes.

When my daughter was in grade school, I was lucky enough to be able to observe and confirm this theory, and also determine how best to incorporate these results into my practice. Using my daughter and her group of friends, as well as photographs of their mothers as examples, I studied how the shape and form of the eye changes with age. More specifically, I was able to use this as a case study to determine the exact features and attributes that cause an eye to look "youthful" rather than aged.

Using these photographs, I was able to identify the core principles of the youthful eye, and also how certain hereditary factors affect each patient differently, allowing me to develop the most effective procedures and obtain the best results on a case-by-case basis.

Through this process, I've found that the shape of the eye is determined by the relation of the upper and lower eyelids. In young adults with normal facial skeletons, the space between these upper and lower lids that frames the eye itself is long and narrow.

In addition to heredity, aging, paralysis, trauma and previous surgery can all impact this youthful shape. Aging eyes have a rounder shape, due to the "droop" of the lower lid, as well as the inward movement of the outer corner of the eye, where the eyelids meet.

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Standard eyelid surgery (blepharoplasty) techniques, which remove lower eyelid skin, and often muscle, tend to drop the lower lid margin, further rounding the space between the upper and lower lids. As a result, newer techniques have been designed to avoid this rounding effect.

Two related procedures, canthopexy and canthoplasty, are used to elevate the lower lid when it has already fallen, or to prevent it from falling during a lower eyelid procedure. They work in different ways, and I generally only recommend one of them for my patients looking to restore a youthful look.

In my opinion, canthoplasty should be avoided in cosmetic eyelid procedures because it produces a rounder eye shape. By design, canthoplasty procedures make the lower lid frame of the eye more rounded, because they disassemble and reassemble the outside corner of the eye while shortening the lower lid.

Canthoplasty may be appropriate for certain post traumatic situations, or when the lower lid has become lengthened with age, but I do not find that it will satisfy patients who simply want a more youthful look.

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Lateral canthopexy, on the other hand, is the surgical repositioning of the outside corner of the eye where the eyelids meet. During this procedure, the corner is moved outward and pexed to the lateral orbital rim. By restoring a "normal" eye shape, lateral canthopexy makes the eye appear more youthful.

Lateral canthopexy is fundamental to altering or restoring a more youthful shape. Lateral canthopexy may be performed on its own, but many patients combine it with eyelid surgery and/or midface elevation for the most comprehensive anti-aging results.

www.DrYaremchuk.com

Ways to Fix Your Dry, Brittle Hair

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There's something that is intensely gratifying about making a woman feel beautiful. Whether a lady is coming in for a refresh or a complete, transformative change, she is always seeking that moment when she looks in the mirror, and thinks, "Damn, I look good!" I cherish those moments, and I love to be the one responsible for them.

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Today, I had a client whose hair was extremely long (a few inches past her bra-line), straight, and without any layers. She was complaining that her ends were extremely fried and dead and told me that I could do what I wanted to her hair so long as she was able to tie it in a ponytail. When a client gives me free reign like that, I'm a happy, excited camper.

Despite this license to do what I wanted, I kept in mind that women with long hair who've had long hair for a long time usually don't want to lop it all off. It becomes another limb in a way. We become emotionally attached to our hair for some reason, and length becomes a security blanket, a familiar comfort. Knowing this, I decided to take off only what needed to be taken off, which was a good four inches. Stylists, you know you can tell where the dry, brittle hair begins even when the hair is wet. You can actually feel the difference in your fingers between the healthy and unhealthy hair.

I gave my client longer layers throughout her hair, which I cut at 90 degrees from the head, to give her hair more movement along with some face framing layers that started a bit above her chin. I point cut into the layers after her hair was dried to add texture and to remove some more weak hair without removing any more length.

After I finished her blow-dry, I whipped her around in the chair so she could take a look at herself. Her reaction was of enthusiastic delight; she exclaimed how pretty it was and how much lighter she felt. Because I preserved a lot of length, she wasn't overwhelmed or shocked by the change; she instead, welcomed it with open arms.

She asked me how she could prevent new development of dry, brittle ends in her hair; she had never had this issue before. I responded that though she may have never had fried hair in the past, our bodies change as we get older, and we have to change with it. I recommended more regular hair cuts, using a deep conditioning mask once or twice a week, and using products that have keratin in them. Keratin is a protein in our hair, and when it's depleted, our hair becomes weaker and brittle.

By using products such as CHI Keratin Mist, we can restore that depleted keratin helping our hair become stronger and healthier. (There are keratin based shampoos and conditioners that help tremendously as well. Other lines like Ion, Redken, and even Tresemme have keratin sprays, also. Most companies are creating keratin products these days because they realize the extreme benefits of adding the protein to hair, so you have a plethora of lines to choose from.)


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I find that the best time to spray the mist is when the hair is towel dried, but damp and ready for a blow dry. Spray it liberally throughout the entire head of wet hair. Another remedy is using an argan oil based product throughout the hair in a similar fashion. Moroccan Oil is the most well known of these products, but there are lots of other product lines that carry argan oil now too. Of course, using protection before applying any intense heat is also essential. One of my favorite products to apply to the hair before flat ironing is CHI Silk Infusion.

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You only need a tiny dab of this as it is an oil and heavily concentrated. You spread it through your hands, then lightly spread it through your hair starting at the back and under sections. Concentrate on adding the oil to the ends primarily along with some midshaft action, and avoid the roots. The Silk Infusion leaves the hair silky smooth and allows for more fluid movement.

My client left my chair today with silky, healthy hair that had movement and bounce that mimicked the movement and bounce she had in her step as walked out the door. Happy client, happy stylist!


*I am not a spokesperson for CHI... I simply am a stylist who loves their styling products!

Images: Google Images, jees.me, cosmetic-candy.com

Twitter: http://twitter.com/mariacmeow
Blog Site: Hey There, Goodlookin'! http://heytheregoodlookinbeauty.blogspot.com/
Google Plus: http://google.com/+MariaCVallejo
YouTube: https://www.youtube.com/channel/UCsyTsGz2m5hoyc8YE-eGACw

A Look Behind the Rip Curl Swim 2015 Collection

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During Mercedes-Benz Fashion Week Swim 2015, the popular surf brand, Rip Curl launched as a swimwear label with a neoprene bikini collection, using the same fabric it became known for in its wetsuit design.

The talented swimwear team behind Rip Curl's bikini collection includes Mary Miller, Rip Curl Vice President of Design and Merchandising and Rip Curl's bikini designer, Anna Amejko. Over the past six years, Mary Miller has also served as Global Chairman, overseeing the Girls' business globally and has helped Rip Curl flourish into a top tier swimwear brand.

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The Rip Curl Swim 2015 collection was inspired by elements from surf destinations around the globe including Namotu, Fiji and Bali, Indonesia. Key looks in the collection include sleeved body suits and neoprene bikinis designed in geometric and ikat print patterns accented with crochet and mesh details.

What is the inspiration behind the Rip Curl brand?

Rip Curl is the ultimate surfing brand made for surfers by surfers.

What is the theme for the Rip Curl Swim 2015 collection?

The Rip Curl Swim 2015 collection contains a tribal and electric beach theme with high contrast pieces in bold vibrant shades of coral, blue and neon hues.

What are your favorite pieces in your Swim 2015 collection?

We love our high fashion neoprene wetsuits and our reversible swimwear pieces.

What's next for your brand?

We are looking to expand our neoprene bikini collection to turn up the volume with new fabrics and styles.

Photo Credit: Neilson Barnard/Getty Images

English Country Style 2015

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Maybe the influence lies in part with a new season of Downton Abbey here in the U.S. or the fact I am on Mid-Century modern overload, but one of the looks I would love to see regain its status in 2015 is English Country Style. Popularized after World War II by celebrated decorator John Fowler, the look was characterized by comfort, tradition and a touch of elegance. By the time the nineties rolled around, the American version was on steroids, reaching its zenith as rooms were overfilled with chintz on chintz patterns, dog paintings hung on sashes and bows on brightly glazed walls and a general overabundance of collectibles while our friends across the pond no doubt winced. It's high time some of key decorative elements returned.

One of my favorite aspects of English Country Style is the quirky and unusual accessories and no one does it better than the British. I attended the Decorative Antiques and Textiles Fair in London last September and discovered some rather unusual objects that gave the term "conversation piece" a whole new meaning. An antique light fixture constructed from submarine doors, an early 20th century elephant on wheels and a trio of walnut trunk tabletops with butterfly centers were just a few of the items that caught my once jaded American eye. And no English interior would be complete without the requisite dog accessory -- everything from toys from the fifties to a handsome pair of English hound lamps was featured.

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Photo credit: Jose Manuel Alorda


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Photo Credit: Decorative Antiques and Textiles Fair


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Photo Credit:Decorative Antiques and Textiles Fair



If you happen to find yourself in London this month, the upcoming Decorative Antiques and Textiles Fair (January 20th through the 25th) at Battersea Park is a must-see. From Art Deco to post-war Modern design and everything in between, the show is one of the best fairs I have attended in a long time. Go early for the best selection, rub elbows with show regular Oprah Winfrey and perhaps you too can channel design-wise your own Lady Grantham.

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Photo credit: Jose Manuel Alorda


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Photo credit: Decorative Antiques and Textiles Fair

The 2015 Golden Globes Gifting Suites

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Gift lounges during the week leading up to the Golden Globes ceremony brought numerous vendors seeking to get their products into the hands of celebrities. Established brands like Pilot Pens, Pandora and Nautica stood alongside smaller, emerging brands such as Bright Baum and Canada Bliss. All vied for some one-on-one time from TV stars likes Viola Davis and Jeremy Piven and personalities like Amber Rose and Paris Hilton. Needless to say, a good time was had by all, with lots of mingling, picture taking and gift giving. Below is a sampling of what was offered:

Secret Room Event Style Lounge in Honor of the 2015 Golden Globe Awards at the SLS Hotel:

Fashion was big this year at the Secret Room. Designer Stella Carakasi had her collection of tops made with flowy, body hugging, eco-friendly fabrics that create a luxurious, elegant look. There were pull-on jeans by Golden Girls Clothing and fabulous faux-fur porcupine vests from Kathy Fielder. Heat Holders gifted their slipper socks, which keep feet warm longer than any other cotton or thermal sock. Moxie Jean gave out gift cards to its resale website featuring clothes for babies, kids and maternity wear. Visitors also received prepaid postage bags so they could send in their previously worn items for cash.

Skincare products included everything from the natural (Derma e) to the medical grade (Sente) to the customized (Ioma). Trinfinity8 gave out gift certificates for anti-aging facials at their spa, which uses quantum-based technology and algorithmic codes to rejuvenate the skin.

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Orange Is the New Black show creator Jenji Kohan at the Secret Room


The suite also teamed with family restaurant and play space Giggles N' Hugs on the Bambi Baby Lounge featuring numerous products for the little ones and activities to keep them busy like face painting and animal-balloon making.

Big Slice products had to-go pouches of kettle-cooked apples for the ultimate tasty and nutritious snack. These ready-to-eat cooked apples come in a wide range of flavors including cinnamon French toast, cherry vanilla and peach Bellini.

Proceeds from the gift lounge benefited the Farm Sanctuary, which provides lifelong care for roughly 1,000 farm animals, and Hope for Paws, which rescues animals from desperate situations. The organization also films those missions and posts the heartbreaking and heartwarming videos online.

Celebs left with gift bags that included such goodies as earring and pendant sets from Zipsessory, lingerie from Farr West, handbags by Lola Blue and luxury flip-flops by Uzurii adorned with a variety of crystal gems, chains and other ornaments.

GBK and Pilot Pens Golden Globe Gift Lounge at the W Hollywood Hotel:

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Golden Globe nominee Viola Davis and winner Gina Rodriguez at GBK


Presenting sponsor Pilot Pens gifted its gunmetal-grey Vanishing Point fountain pens with rhodium-plated 18K gold nibs along with leather notebooks and multicolored FriXion Clicker Erasable Gel Ink Pens.

There were women's leather bucket laptop totes and hybrid backpack-briefcase laptop bags by Solo. SHEEX gave out bedsheets and portable "Sleep Saxs" made out of performance athletic fabrics. Unlike regular cotton or silk sheets, SHEEX materials are moisture-wicking and temperature-controlled, with plenty of breathability and stretch.

Heather Marianna was handing out her Beauty Kitchen products such as lavender bath soaks and tropical smoothie skin polishers. Burke Williams day spa offered on-site massages, while gifting guests with day spa passes, products from their skincare and makeup lines, and gift certificates to try the new Advanced Eye Lift Treatment at its spa.

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Birdman co-screenwriter and Golden Globe winner Nicolás Giacobone at GBK


Caribbean Living Magazine gave out five-day stays to Anguilla's CeBlue Villas & Beach Resort. The Puerto Vallarta Beach Club gifted three-night accommodations at its private beachfront enclave on the Mexican Riviera.

Online shopping club Beyond the Rack handed out $200 shopping credit cards to their site. Meanwhile, Canada Bliss had stylish newsboy knit caps, toques and slouchy beanies.

The charities that benefited from the event included Lambda Legal, which fights for the civil rights of gay, lesbian, bisexual, transgender and HIV-infected people; YES!, an organization that provides resources and support for those affected by advance cancer; and the World Vision Group, which had celebs put together Ebola caregiver kits complete with handwritten notes of support.

Golden Globe HBO Luxury Lounge at the Four Seasons Hotel in Beverly Hills:

Presenting sponsor Pandora had celebs play a round of Plinko that would determine which piece of Pandora jewelry they would "win" from categories that included rings, earring, bracelets and necklaces.

Nautica gifted waterproof rain breakers, and Big Buddha gave out stylish faux-leather handbags. There was fragrance by Gendarme and homeopathic medicine by Boiron. Montez Renault gifted grooming products for men, while DSW Designer Shoe Warehouse showcased their brand-name footwear including suede Nike hightops.

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Gilles Marini tries on Nautica's rain breaker at the HBO Luxury Lounge


Kari Feinstein's Style Lounge Pre-Golden Globe Awards at the Andaz West Hollywood:

There were silk tops and scarves by VIDA, a San Francisco-based company that works with carefully selected artists from around the world to digitally scan their work and print it on fabric. The result is luxurious, modern pieces in limited designs. VIDA also provides livable wages and literacy programs for its factory workers in Pakistan so they avoid being trapped by the cycle of poverty and get empowered by education.

Bright Baum was giving out artificial LED trees perfect for home décor, landscape accenting or just to keep as very cool nightlights. These realistic-looking trees are handmade, hand-painted and constructed to withstand both indoor and outdoor elements. Bright Baum trees come in a variety of sizes, light colors and tree styles from bonsai and cherry blossoms to willow and maple.

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Whiplash and Divergent actor Miles Teller at Kari Feinstein's Style Lounge


Swish Suits had fitted wetsuits specifically designed for women's bodies. Now they can all look like sexy Bond girls! On top of that, Swish Suits are made from limestone, not fossil-fuel-derived neoprene, so they're eco-friendly as well. For non-scuba or non-surfing celebs, Swish also had colorful lightweight jackets and vests that are perfect for aquatic sports, yoga or working out.

Celebs also received the Alcohoot, a smartphone breathalyzer with police-grade accuracy so that you never have to wonder if you've had too much. The adjoining app helps track a user's long-term alcohol trends and consumption throughout an evening and offers nearby restaurants or taxis to help sober up and get home safely.

Jayneoni Presents the Boom Boom Room's Pre-Golden Globe Luxury Baby and Parenting Products Gifting Lounge at the Loews Hotel Hollywood:

Brilliant Baby Products had a slew of items including toys by German toy maker HABA (stacking cubes, magnetic puzzles), mini backpacks by Lassig and rolls of removable tape by Inroad Toys printed to look like roads or railway tracks for kids who love playing with toy trains and cars. There were also Melody Mates, light-up cushions with built-in plush toys and detachable blankets that play lullabies to help youngsters fall asleep.

Author Ylleya Fields was handing out copies of her award-winning Princess Cupcake Jones children's book series featuring too-rarely-seen African-American characters. Meanwhile, Adri & Sara gifted scarves and canvas bags inspired by author Miroslav Sasek's This Is... book series.

There was suede and leather baby moccasins by Freshly Picked and many unique clothing and accessories for babies, toddlers and moms by cool brands such as Wee Structed, Enjoy Essential and Loved by Hannah and Eli.

Posh Pak gave out samples of their subscription-based monthly gift boxes for young girls in three different age categories. Creator Shayna Hansen-Niksch partners with brands like Kate Spade and Band.do to curate age-appropriate items such as lip gloss, hair accessories and school supplies for tween girls.

The event benefited Los Angeles Foster Care Children.

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Sports Illustrated model Gigi Hadid with a print from Scarlett and Gold Shop at Kari Feinstein's Style Lounge

The Grass Is Always Greener ... On Someone Else's Head

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Why is it that women are forever coloring their hair -- curling, ironing, extending, feathering, crimping, pulling, twisting and bending it? I have a dear friend who, for the 26 years I've known her, has been trying to undo the curls she naturally has, while I have always coveted her spectacular head of curls! For years, when she'd fall in the pool and come out horrified that her hair was rapidly winding up into tight coils, I wished it were mine. Now that she can have it chemically straightened, she swims without fear and we laugh about this old drama. I love her straight hair, because ultimately I love her. Still, it always struck me that she and I could see her hair so differently, when we agree on so many other things.

I have only colored my hair once. I had fine strawberry-blonde highlights put on the tips of my hair, to finally see what it was like to be in the "tribe." I always saw coloring your hair as a right of passage for women, and just once I wanted to share the ritual. That was 10 years ago; I was 42. At this stage, I'm pretty sure that most of the women I know color their hair -- to cover the gray, to try on new looks, to maintain an image they've always had, but for years and years, I always assumed that the hair color I saw was the color that naturally grew there. Well into my 40s, I naively believed this, and friends would laugh at me when I would finally notice "roots" or figure out that their blonde was not nature-made. Now, I assume all hair is altered, unless the evidence stating otherwise is clear.

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My high school graduation picture, 1981


I grew up with bright red hair -- both a blessing and a curse in my youth. My gym teacher called me "Carrot top," while others often called me "Red"; I hated both. I wanted to have blonde hair like all the "popular girls," or wonderful brown curls, like my best friend -- anything but my own carrot top. All through college, when it was long and I suppose more striking, total strangers would come up and touch my hair. It drove my husband nuts when we were dating; though I had come to think that touching people's hair was normal -- similar to how strangers think they can touch a pregnant woman's stomach. When I went on The Phil Donahue Show in my late twenties, the show aired with Phil, with his striking white mop of hair, stroking my red hair as I asked a question. Friends teased me for years about it, though Mr. Donahue's response didn't strike me as strange at the time.

I'm in my 50's now, I made peace with my hair a long time ago. I'm happy to be a redhead -- even as it fades to a darker auburn, with increasingly visible white and silver stragglers. For now, I'll go on record and say I do not plan to ever color it again.

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My color; my curls- Wash and go!


I haven't owned a comb or brush for 18 years; I use my fingers and spritz it with water when it needs fixing. I only get my hair cut into styles that require sleep, washing and little else. I admit that I'm lazy. For the most part, I've let go of that one vanity. For that, I feel very fortunate and grateful; I know that a lot of women invest loads more effort. My good friend C, who used to cut it for me, has told me over and over: "Yes, you could have that style, if you're willing to spend a few minutes with a flat iron, or if you're willing to use some more product, or blow it out..." However, knowing me well, she too surrendered, and I went with small variations on the same, short cut for years. Admittedly, as it's grown out, I've railed against it a bit more. With more hair to wrangle, it's not as easy to just let it go. Some days I still wish it was curlier, longer, thicker... like that woman's or that one, or the one over there, but for the most part, I've surrendered this single battle.

When I told my daughter what I was writing, she shared that she once wore a hijab for several days in support of Muslim friends at college. She said she found it very eye-opening, though her professors gave her odd looks. Wearing the hijab, she realized just how much energy, physically and spiritually, she puts in to her hair each day. "The focus," she said, "was suddenly only on my personality -- just me -- not as much on my looks. It was so freeing!" I understand her point, as that's how I feel with my low-maintenance hairstyle.

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Graduation day. My girl wore her hair loose and free; I flat-ironed mine.


My daughter has gorgeous wavy hair, which has been changing from the blonde of her childhood to the darker color it will probably be as an adult. She asks me: "Mom, is my hair getting darker?" with a worried expression. "Yes; it's gorgeous," I respond. I look at her through a mother's eyes, but I understand that she is wondering if her hair might not be nicer wavier, or straighter, thicker or blonder again. As her mother, I wince, knowing that she is struggling with the same issues of self-esteem that so many women face. While each of us admires someone else's locks, we can't accept that someone is likely wishing for yours, or yours... or mine. It's not acceptable to say I wish I had your husband, your house, your career, your life... but so many women say: "I would kill for your hair."

In fact, it's truly rare to hear a woman say I love my hair. Instead, women spend billions each year to alter the hair they have; we work tirelessly to tame our tresses and attain a certain look. Black women do it; white women do it. Asian women do it; Latina women do it; Orthodox women do it and secular women do it. Women with money do it, women who don't have money do it. Regardless of our race, culture, religion and often socioeconomics, most of us seem to be chasing the grass on someone else's head.

For now, I still covet my neighbor's stuff: I'd love her figure and her wardrobe; hell, her husband is pretty cute. However, when it comes to my hair, I think I'll go out on a limb here: I'm happy with my hair. On "bad hair days" I may occasionally dream of longer, curlier, other hair, but for the foreseeable future, I'm sticking with the grass that grows on my own head.

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(And on a bad day, I'll wear a hat!)


What say you? Are you happy with what you have, or are you forever seeking to change what grows on top?

This story was originally posted on Dawn Quyle Landau's bog, Tales From the Motherland. Check it out, to read more of my work. Follow me on Facebook and Twitter. You can also hit the thumbs up icon at the top and to the right of post, to instantly receive future posts.

Earlier on Huff/Post50:



5 Steps to Cure a Style Rut Forever

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Condition: Style Rut

Signs and symptoms of a style rut may include:

- Going to your closet to get dressed and thinking "I have nothing to wear"
- Looking into the mirror and not feeling excited or joyful
- Wearing the same look for years on end
- Others may comment that you look outdated, dull or older
- Wishing your look was more vibrant and aligned with your core self

If you are displaying some or all of the above signs and symptoms, there is no need to panic or feel overwhelmed. A style rut is quite common and is easily cured by following these 5 easy and efficient steps.

1. Visit a color analysis professional in your area.
A color analysis consultation will guide you on what colors work best for you to wear in your clothing, hair, makeup and accessories. Wearing your most optimal colors results in you looking healthy, vibrant and younger.

Your color palette is based on your internal composition. Once you know your color season and flow of season, it will not change. This is the color palette that will serve you for life.

2. Assess your style needs.
Research and analyze your style requirements.

Some areas you may investigate include:

- How to dress to maximize your height and body silhouette
- How to align your accessory, shoe and pattern choices to your bone structure
- How to dress and accessorize for your somatype
- What necklines and hair styles are in harmony with your facial shape
- How to bring out your personality in your appearance choices while maximizing your lifestyle needs
- How you want to dress to align with current style trends

I recommend creating notes on all of the above so you can reference them in the remaining steps.

3. Clear out your closet.
Now you know what your color and style requirements are -- it's time to go through your closet and clear out items that are not aligned to these requirements.

Be honest with yourself as you review each item.

4. Time to go shopping!
No doubt step #3 above created some gaps in your wardrobe. It's now time to go shopping to fill in those gaps.

When you are shopping be sure to only choose items that are suited to your coloring and maximize your style needs. This will ensure your closet only contains items that you love and will love for years to come.

5. Pulling it all together - hair, makeup and accessories.
This step will pull the 'new you' all together and involves the following activities:

- Visit a hair professional in your area to have your hair color and style updated to align with your color and style requirements. Find out and keep up with the maintenance schedule they recommend.

- Visit a makeup professional in your area who will teach you how to apply your makeup and recommend products to buy that align with your color and style requirements.

- Shop for accessories that align with what's in your wardrobe along with your color and style needs. Includes -- shoes, glasses, jewellery, purses, belts, hats etc.

Now you have it, the 5 easy and efficient steps to cure a style rut.

If you feel like you need advice or support while completing any or all of the above steps, you could ask a close style-savvy friend or family member. Choose someone who naturally has high level and superb taste, knows you extremely well, and sees your best you when she/he looks at you OR you could seek out an image consultant who is trained in these areas.

I recommend reviewing your style requirements, wardrobe and your overall look at minimum 2 times per year to ensure your style rut does not have a relapse.

I hope this blog post inspires you to wear your authenticity!

Marc Jacobs Debuts the FULL SS15 Campaign Starring Kendall Jenner, Adriana Lima and More

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Over the years, Marc Jacobs has developed his own identifiable campaign aesthetic: take 1-2 up-and-coming models, throw them against a stark background, add a couple quirky (or sometime downright eerie) props and let Juergen Teller do what he does best. But for spring/summer 2015, is appears that Jacobs is taking his namesake brand into a different direction. Shot by David Sim, it stars nine of the most talked-about models in the game -- a glimpse of which we got back when the first image was released back in December. Now, after much anticipation, the label has released the full campaign, and as expected, it does not disappoint.

In the same bare-faced makeup looks and black shaggy wigs spotted on the runway in September, Anja Rubik, Kendall Jenner, Karlie Kloss, Joan Smalls, Jessica Stam, Natasha Poly, Issa Lish, Adriana Lima and Anna Ewers come together this season to form the Marc Jacobs army-- all cast and styled by Jacobs's longtime collaborator Katie Grand in the same military uniform-inspired outfits. Much like the show, it's also a challenge to tell who's who at first look, which must be some kind of testament to the clothes considering the stature of the models at hand.

Scroll down for more of Marc Jacobs' SS15 army!

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Kendall Jenner


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Karlie Kloss


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Joan Smalls


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Natasha Poly


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Anna Ewers


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Jessica Stam


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Issa Lish


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Anja Rubik


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Get the First Look at THAT Top Secret Victoria's Secret Swimwear Show

Fashion and Philanthropy

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We all know the feeling.

We find that perfect item in a store, try it on, fall in love with it, look at the price tag, and... we know we shouldn't. After all, do we really need another pair of shoes?

This is how most of us respond to those inner promptings. We put the item back and walk out the store, empty handed.

Now imagine the same scenario, but with a twist.

We find that perfect item, try it on, fall in love, look at the price tag, and then... just as we're contemplating the "shouldn't," a smiling Sales Assistant kindly points out that "30 percent of the items proceeds benefits charity."

Our heartstrings are tugged. What will be the ending of this scenario?

At first glance, fashion and philanthropy seem to be worlds apart. The former seems to be solely focused on the self-centered act of making oneself look and feel good, whereas the later is giving of oneself selflessly without any thought of a return or accolades.

However, in recent years these two concepts have become entwined. In fact, the fashion industry has become a great supporter of all manner of philanthropic endeavors.

This is led by the forerunners of the industry, the designers themselves. Often, personal experiences influence them to turn to philanthropy, such as with Tommy Hilfiger. As the father of an autistic child, Tommy Hilfiger has become a huge benefactor of autism research.

That's one part of the equation. The other is a very simple fact -- customers want to feel that they are making a positive difference in the world. Giving a gift that "gives" even more than the actual item makes both the gift's giver and receiver feel a part of something greater.

Some companies count on people's innate desire to help so greatly that they base their business model on it and make giving a full time commitment. They end up becoming synonymous with the cause they champion.

Take for instance, TOMS. A trip to Argentina became the catalyst for TOMS founder, Blake Mycoskie, to create his company when he saw village children without shoes. To combat this, he came up with the pioneering, "One For One" model, matching every pair of shoes purchased with a pair of new shoes for a child in need. TOMS has since added eyeglasses and coffee to its line and has even created an online Marketplace with the same mission. In an interview with elpis Philanthropy Advisors, Mr. Mycoskie said that, "Our customers want to be a part of something bigger than themselves and give back. Giving is really what fuels us at TOMS and it's inspiring to see that it fuels our customers too."

Another example is FEED Projects. Its founder, Lauren Bush Lauren, witnessed the effects of hunger firsthand when she was a World Food Programme (WFP) spokesperson. Back home, she knew people wanted to help but they didn't know how to do so. Her answer? To create a line of reversible burlap handbags -- the sale of which would, "help FEED the World."

In most cases, philanthropy isn't as all encompassing, but nevertheless it still remains a part of a fashion company's activities.

To this extent, designers often produce limited edition items and allot a portion of the item's sales to a specific cause. London-based jeweler, Carolina Bucci is one example. Approximately a third of the purchase price from a special edition of her famous "Twister" bracelet is donated to the NSPCC. Another such example came a few years back when Greek jeweler, Ileana Makri, designed a bracelet alongside Missoni to help Orphan Aid.

Another way the industry goes about giving back is through organized events, such as K.I.D.S./Fashion Delivers which holds an annual philanthropic gala in N.Y.C.

So, going back to that original, not-so-hypothetical shopping scenario... I think we now know how that story ends! After all, even if the actual item is a gift to oneself, it's nice to know that part of its purchase price is also a gift for somebody else.

Natural, Softer Styles Hold Strong at People's Choice, Deeper Side Parts, Asymmetery and Sophistication

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By Gina Rivera, Phenix President, Founder and Hair Expert

The star-studded People's Choice Award is telling us that hair trends are holding steady toward soft and simpler styles, but perhaps with a move toward deeper side parts and asymmetrical design that add elegance and intrigue to these looks.

Actress Portia de Rossi ("Ally McBeal" and "Arrested Development") coined the new direction. She wore a layered bob with soft waves, a deep side part and asymmetrical shape that gave her style a classy, sophisticated look.

Hip Hop controversy Iggy Azalea made us "Beg for It" with her hair in sort-of '70s retro Go-Go look with a center part and some poof volume off the back of the crown.

Amy Adams ("Catch Me if You Can," "The Fighter" and "The Master") proves the ponytail will live forever. This look is still trending huge, and it's hard to imagine a time when it wouldn't have a VIP seat up front with so many possible variations. Adams looked terrific with her copper-red hair gathered in a slick-back look, yet another style that continues strong, and for good reason when it looks so fine.

How to Get It: You don't want slick-back ponytails to look oily so go easy with these nutrients and use hair gels and spray with a shiny finish. To get that symmetrical illusion, try parting the hair into a deep on the side and tuck the hair behind the ear and leave opposite side down. Add some big waves or loose curls with a big-barrel iron. Pull it out with your fingers for a softer curl or wave but do NOT overwork it.
Ginnifer Goodwin ("Big Love," "Something Borrowed," "Walk the Line") wore her deep, dark chocolate hair in an edgy, piecey pixie that retained a softness.

These deep, dark browns, like Goodwin's, are popular right now ... sure as the snow, a sign of winter. We're seeing a lot of deep plums and blood-reds, too. Meanwhile, though, blondes are holding strong and they look so, so great, and in these pure, all-over tones with subtle highlights and soft, soft color transitions, these typically-summer shads work wonderfully in the dead of winter.

As always, be open to change!

The Top 5 Spring Trends You Need in Your Wardrobe

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The winter may be gray, glum and cold. Every time my alarm goes off in the morning, I tend to forgo the previous night's adorable laid out outfit and opt for comfort and warmth. However, the winter cold doesn't need to put a damper in your outfit. Check out these must have Fashion Trends for Winter/Spring 2015 that can turn your outfit from BLAH to WOWZA.

1. The 70's Flare

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RIP Skinny Jeans! This Spring/Summer is all about the 70's flare. Dress it up or down, but make sure to wear porportional tops.

2. The Watch.
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The perfect watch can be worn dressed up or down. Take fashion inspiration from brands like Michael Kors, Rolex and Tommy Hilfiger for chunky menswear styled watches. Mix both feminine and masculine pops in your outfit to balance and keep up the 2015 trends.

3. Gingham
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The gridlock pattern is a Vogue approved must. From top to bottom to accessory, Gingham prints are available all over.

4. Fringe
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Not just for your inner cowgirl. Fringe detailing on skirts, dresses and even midriffs can dress up any outfit.

5. Pops of Yellow.
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A pop of yellow adds fun to any outfit. Designers like Michael Kors, Oscar de la Renta and DVF are hopping on the train and offering versatile fashionable options. Whether in a jacket or a pattern, yellow makes the outfit fashion forward.

Regardless of your style, take these trends into consideration and make them your own. Whether embracing this season's 70s vibes or making the trends mesh with your own wardrobe, the key is confidence!

Why an Unpaid Internship Was Worth 4,000 Miles and $3,000

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You know those Hollywood types who fall into acting because of timing and luck? That's kind of how I got into journalism. I had never considered it as a kid -- I'd always worked on the school paper, and thought it would be cool to see my name in print, but had always considered myself a creative writer first. I applied to write for Her Campus Johns Hopkins, but because Her Campus National was looking for a JHU Campus Correspondent, I found myself building a chapter of the publication as a freshman. When it was time to apply for summer internships, I sent out 31 applications, but was at a disadvantage because I was an incoming sophomore, and most publications prefer to hire juniors or seniors.

Just when I thought I'd be tutoring SAT/ACT at my local library, I got an email from the copy chief of Sports Illustrated. He was impressed by my resume, and called me for an interview, where he hired me on the spot. At Sports Illustrated, I worked in the Copy department, so I was observing conferences, helping the copyeditors with filing, and learning how to copyedit. I spent my summer cross-referencing the Merrium-Webster's 11th Edition with the Sports Illustrated Style Book, double-checking that the en dashes and em dashes were in the right places, and I wouldn't have had it any other way. Looking back, I realize how wonderful that internship was -- SI treated me like a member of the team, which is something very few interns can say.

At the end of the summer, I dreaded going back to Baltimore, simply because it wasn't New York, which has an intoxicating quality when you're young and ambitious. I didn't want to stop working -- so I found myself applying for fall internships and going on interviews during my lunch breaks at SI. I landed a gig at Elle, which I couldn't turn down. To make it work, I changed my entire JHU schedule to fit a full course load on Monday and Tuesday, so I could get on an Amtrak to New York Wednesday morning and work Wednesday, Thursday, and Friday from 10 am to 6 pm. My dad doesn't believe in internships (he thinks companies take advantage of interns), but my mother was supportive because she's always encouraged me to pursue unique experience.

The Elle internship was more traditional, despite my nontraditional approach to it -- interview transcriptions, archival work, research for spreads, and yes, coffee runs and errands. It was a reality check, especially coming off the SI internship. The office was a totally different environment and the learning curve was steeper. I had less access to editors, less room for error, and more pressure. When my friends found out what I was commuting for, the responses were mixed; my favorite was, "That is both really fantastic and completely insane," which it was. I was exhausted all the time, and slept on the train because I was doing my schoolwork in the middle of the night. I broke seven years of vegetarianism because I needed more protein, got hooked on caffeine, and caught walking pneumonia five weeks in. But I was also surrounded by people working in the pop journalism industry -- there was talk in the cafeteria sushi line about the Rihanna cover and the Lorde interview. I got to observe a tabletop photo shoot, and learned how to style my collegiate wardrobe so it looked on-trend.

My life became a bizarre dichotomy of academia and pop culture -- even though my homework focused on Frank O'Hara's poetry and Hans Holbein's paintings, I learned that Eva Chen (a Hopkins alum) and Lucky had spun off from Conde Nast, Joanna Coles was named Editorial Director of Seventeen, and Karl Lagerfeld designed for both Chanel and Fendi. Back at school, my priorities changed -- I dropped out of clubs I'd loved freshman year, lost touch with acquaintances, and spent less time on schoolwork.

After 10 weeks, my Sports Illustrated money started to run out, and I needed to end the Elle internship because it was getting too expensive. Over those 10 weeks, I travelled 4,000 miles and spent $3,000 on an unpaid internship. I also discovered that the magazine industry is thrilling, but I'm still more passionate about the arts.

Before I started commuting between Baltimore and New York, my uncle told me not to do it. "You'll miss out on the college thing. Go have fun."

"This is my idea of fun," I said. It was fun to step out of my comfort zone, because uncharted territory is exciting (and learning to walk in heels is an important life skill). It was fun to prove to myself how far I will go -- 2,000 miles, apparently -- to make it in a competitive industry. Suddenly, everything from creative writing to screenwriting to film production seemed within my reach. It was empowering to do something ridiculous.

The other day, a friend of mine, a Hopkins pre-med interested in switching to magazine journalism, asked if I'd recommend doing an internship. She said it was impossible to fit it into her pre-med track, but she'd hate herself if she didn't give media a try.

"I'd say do it, even if it seems impossible," I told her, "You might surprise yourself."

The Pitti Uomo Diaries: Florence is Where the Heart Is

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Giancarlo Giannini with Solis String Quarter and Peppe Servillo, reading from Salvatore Ferragamo's memoirs at Palazzo Spini Feroni in Florence


The past few days for me have been heavy. I've searched my soul for personal thoughts about the attacks in France and have still to figure out how I feel. I know I'm sad, I find the events tragic and discouraging, but beyond that, I don't know.

Then, just as I was trying to make sense of it all through social media, and tweeted "#JeSuisAhmed," I was called a "useful idiot" on Twitter, by a 60-something Pakistani-Canadian author with a pot belly. I am used to insults from young trolls with faceless avatars by now, but this was a published writer, a man who has a hefty following of equal haters, many of whom quickly retweeted his comment. For all I've written, for every step I've taken in trying to stay away from typical media negativity and inspire those who read my thoughts to watch films and read books as means to understand the Arab world better (in my opinion the easiest and only solution for the sake of humanity) I felt defeated.

And just then, at that crucial moment, that's when a couple I call my angels of inspiration came to the rescue. Lisa Chiari and Roberto Ruta are a Florence-based duo in life and work who never cease to amaze me. They are the International Press and Italian Press Relations, respectively, for Pitti Imagine, which this week has infused Florence with the style of Pitti Uomo. Beautiful fashion, wandering around my home city, the food and hospitality of this place, and seeing Lisa and Roberto turns out to be exactly what my weary soul needs now. Right now.

2015-01-13-IMG_06771.jpg My journey started with a train. It's been years since I've taken one in Italy, I've grown accustomed to air travel. But flights were completely booked up on the day I wanted to set off and the train turned out to be an economical and very satisfying experience. Trains in Italy aren't what they used to be when I was a child, that's for sure. These days they are called things like "Red Arrow" and "Silver Arrow", are fast, on time and full of well behaved adults -- except for the one Italian man with the loud ringtone and even louder timber who thankfully sat at the other end of my car.

Once in Florence, I headed off to my favorite restaurant. It's probably the kind of place they had in mind when they wrote the theme song for Cheers "... Sometimes you want to go where everybody knows your name, and they're always glad you came." The immediate hospitality of the folks at La Casalinga is the reason the restaurant has been a Florentine institution for the most informed clientele since I was a child. But people keep coming back for La Casalinga's decently priced, home-cooked style food and great atmosphere. Whenever I set foot in this magical reign of great nourishment, ancient patronage and exquisitely familiar ambiance I feel like I've returned to my city, my place and most importantly, my identity. As one stylish woman in her seventies said to her fur clad equally charming friend seated at the next table, by herself, "here one is never alone." I toasted silently to the luxury of eating a meal by myself, enjoying every explosion of taste and my surroundings, uninterrupted.

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My grandfather Hans Rothe wrote in his book Shakespeare Provocateur that Italians and foreigners view Italy differently. He made the example of how a Florentine interacts with the constant flow of artistic masterpieces that he or she passes every day on the streets of the city, at once owning it all and nonchalant. But a Swede, for example, sees the beauty, and savors the artistic intention of the various craftsmen that "decorated" it. I consider myself lucky that I view Florence with both sets of eyes. I walk its streets knowing instinctually where I'm going, what I'll be passing soon, but my NYC upbringing and long time spent away make for a discovery here at every corner. I stop, stare, get lost in the beauty of this city, which in my very biased and humble opinion, possesses no ugly perspective, or unattractive views.

The Pitti Uomo related events kicked off with an evening performance at the Salvatore Ferragamo headquarters, inside Palazzo Spini Feroni, of "L'eleganza di una vita: Storia di un gentiluomo d'altri tempi." It was a reading by Italian acting legend Giancarlo Giannini, accompanied by Neapolitan songs sung by Peppe Servillo and the Solis String Quartet, of Ferragamo's memoirs Shoemaker of Dreams: the Autobiography of Salvatore Ferragamo.



The excerpts read described the journey of this master shoe designer, from his humble beginnings in Bonito, near Naples -- as the eleventh of fourteen children -- to the first two pairs of shoes he made (for his sister's First Communion) his setting off for America, where he stated "I felt at home the moment I arrived." Finally, to his settling in Florence for his work and life, with his wife Wanda. The most touching part of the evening was Giannini reading Ferragamo's retelling of his first meeting with his future wife, how he fell in love with her, while Wanda Ferragamo herself sat in the front row, listening. I imagined the thrill, and sorrow, of hearing her praises written by her deceased husband, immortalized forever in his book. Read in the husky voice of Giannini, who was nursing a cold thus adding to his charm, was thrilling and touching.

2015-01-13-cioccolatiniferragamo_thumb1.jpg Afterward, cocktails and chocolates in the form of Ferragamo's most recognized silhouette, the "Rainbow" platform created for Judy Garland in 1938, welcomed the guests, while the third generation of Ferragamos, embodied by the handsome James, played host of the evening in their boutique.

The evening finished beautifully at Il Santo Bevitore, a gourmet restaurant that combines the best traditions of Italian food style. I stand corrected, Florentine food style. Growing up in this alimentary paradise lays the foundation for great food habits that last a lifetime. The idea that the biggest meal of the day should happen at lunchtime and the evening should instead comprise of some charcuterie, cheeses and maybe something small and warm like a soup, has been my saving discipline. Forget food pyramids and fad diets, the Florentines have had it right for centuries and this restaurant, run by chef Pierluigi Campi, does it perfectly. With some truffle-infused pecorino, a bowl of hot pumpkin soup that simply nourished my soul, I rediscovered that home will always be... where Florence is.

I look forward to the upcoming days of style with highlights including "Cloakroom", a performance by Tilda Swinton and Olivier Saillard, and Pitti Uomo's guest designer Marni.

Top image courtesy of Salvatore Ferragamo SpA, used with permission.

Lisa Rinna, Valerie Cherish and the Humiliating Task of Staying Relevant

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A few weeks ago, Lisa Rinna said a 2012 commercial she appeared in for Depends was the highest paid gig she ever had:

I got paid more money to do that than I got paid to do anything in my whole life. I was just winking to the bank. To stay relevant, I've had to re-invent myself over and over again. I like to do things people have no idea I can do. You can either sit and do nothing or you can be proactive and do a lot of things. I'll do anything to make a buck. I don't say no very much.


Lisa Rinna is now on "The Real Housewives of Beverly Hills." She's a refreshing addition, especially after the really desperate women who've come through the show. Not to say Lisa Rinna isn't desperate -- she is, but she admits this. She explains that she's a fixture in Hollywood because she's been able to survive.

There's a fine line here, of course. Tori Spelling on the other hand, creates a world of desperation in her version of Exploitation TV (Exploit-Tor-ation, as she might say). But unlike Lisa Rinna, Tori Spelling can't see her show is beyond desperation. It's damaging. (In one episode, she brings home a dying baby pig to deflect talking to her husband.)

By bringing a seasoned TV actress like Lisa Rinna on "The Real Housewives of Beverly Hills," Bravo might as well tell us, "We've given up on real people. They don't cooperate with our producers so we've decided to hire actresses... to pretend to be real." What I find most odd is while Lisa Rinna is talking to the camera about her real-life attempt to stay noticed is that Lisa Kudrow's series "The Comeback," is mirroring the same dynamic.

In "The Comeback," Lisa Kudrow plays Valerie Cherish, an aging actress who will take any part, including a part in a fake HBO series written by misogynist mouth piece, Pauly G. Pauly G used to be Valerie's writer on her hit show in the '90s -- and despised her. Pauly G writes a show called "Seeing Red" (it's a show within a show within a show); there's a role of an obnoxious irrelevant actress that he wrote after his experience with Valerie.

The joke here, or the awkward part, is that HBO offers Valerie the role of playing herself. (Or at least Pauly's more obnoxious, fantasy version of herself.) In one episode, Pauly writes a scene where Val is supposed to give a blow job to the head writer. That head writer is played by Seth Rogen, who sees how uncomfortable this is for Valerie -- Valerie doesn't do sex scenes, even fake sex scenes! But more, she doesn't want the audience to think that this -- this oral sex -- is something that happened between her and Pauly G during their '90s sitcom.

Val doesn't have to agree to this part, but like Lisa Rinna, she sees it as an opportunity. And the opportunity prevails above everything else. Writes Molly Lambert:
[Pauly G, the head writer doesn't] really understand the nobility in Valerie's refusal to be overlooked, her insistence on taking whatever she can get and always doing so with a smile. Valerie always flashes her toothpaste grin in awkward situations, and it only ever serves to make things feel more uncomfortable. That's what gives the show its deeply unsettling punch. You can never truly relax watching "The Comeback," knowing what new discomfort might be lurking around the corner. It's like a horror movie in which the only things getting killed are dreams.


That "discomfort" that Molly Lambert talks about might as well be written about Lisa Rinna in wearing Depends. For a recap: Lisa Rinna admits to wearing Depends during a fake live carpet event (they say it's for charity, but it's totally a set up). Harry Hamlin, her husband, runs his finger down her tight dress and says something to the effect of "I can't even believe you have these on." They're both in on it. She looks hot. She's got Harry Hamlin. What's to worry?

But in Lisa Rinna's world where everything has to be relevant all the time -- where she has to be relevant all the time (her words, not mine), I can't imagine how difficult that must have been for her, despite the paycheck. We're talking about Depends. We're talking about the ugly, unspeakable side effects of aging.

This idea of the woman being difficult, or women being treated unfairly or being humiliated in Hollywood is nothing new, as Harry Waskberg writes in Splitsider. Valerie Cherish is the anti-hero, our favorite kind of protagonist. She's perfect and awful all at once -- a lot like Lisa Rinna. As nice as she might be, she's not well-respected. She's not really an actress. She's not really about the craft. She's a personality. And she's been a "personality" for a long time. She joined the "Real Housewives of Beverly Hills" because she'll do anything to stay relevant.

But with her ability to show us a vulnerable side, she gives us a real look at how women are treated in Hollywood and the real challenge it is to survive in a culture that would rather throw you out. Neither Lisa Rinna or Valerie Cherish allows that to happen.

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The Pitti Uomo Diaries: It's Raining Men... and Tartans!

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Photo by Enrico Labriola, courtesy of Pitti Immagine


Everywhere I look in Florence, it seems that no self-respecting fashionist-o is going out without some tartan. The colors aren't the traditional Scottish blues, greens or reds and some may even be tempted to call it tweed, but I insist it's a new kind of tartan. In ochres, olives, dusty blues and grays, the pattern is all over the place. And I like it.

2015-01-14-IMG_0716a.jpg The one thing that is magnificent about Pitti Uomo is that it is all about men. At the opening ceremony slash press conference, I sat next to a young Italian blogger, wearing really cool black boots. We started chatting and she confided that this was her first Pitti Uomo. Her passion is writing about music, so I asked, "what are you doing here?" Her answer, without missing a beat, "well, I'm between boyfriends, so I figured I'd come to look at men." Or did she say "to look for men"? Could be, but her words -- inside the Sala d'Armi of the stunning Palazzo Vecchio, with those high vaulted ceilings and filled to the rim with women wearing heels way too high to walk -- got lost in translation.

The opening press conference featured some words of encouragement from Florence's Mayor Dario Nardella, from the Regional President of Tuscany Enrico Rossi, the President of the Sistema moda Italia (Smi) Claudio Marenzi, the President of Centro Firenze moda Italiana Stefano Ricci, and Gaetano Marzotto, the President of Pitti Imagine, which presents Pitti Uomo in Florence. To Marzotto belonged my favorite comments, the most encouraging of the speeches, which pointed to the new lower oil prices as having a positive impact towards the buying power of average Italians, particularly when it comes to fashion purchases. Goodness knows we need some positive news in Italy, the economy is worse off than one could ever imagine and actually Marzotto's words keep resurfacing in my thoughts, as I watch the incredibly large crowds move around from the pavilions to the fashion shows at this year's Pitti Uomo.

Best way to start a full fashion day is with a breakfast and breakfast at my hotel is an experience. I keep ending up near the same pair of women from NYC, who talk about the men in their lives and how they met, where and what their future together with these gents will bring. For me it's like an ongoing radio soap opera with my cappuccino, and because they hear me speak Italian with everyone around, they don't seem to think I am listening, so they talk away. I am listening, and I love it. But the prize goes to the food at the Gallery Hotel (part of the Lungarno group in Florence owned by the Ferragamo family) with fresh fruit, chocolate chip granola, little rice pudding tarts, a variety of honeys, including one from coriander flowers that is the bee's knees and multigrain breads plus cheeses. You know, any restaurant that has a first quality bottle of extra virgin olive oil on the table for breakfast, waiting to be poured, is my kind of place.



At the Fortezza da Basso, where most of the exhibitors are located, I was introduced to Le Figaro's menswear editor Frédéric Martin-Bernard, who is too young to be called a legend, but in my book simply is. It always amazes me that the most important, intelligent and formidable figures are also the kindest. We chatted and he told me all about the great new concept by Mr. Porter (the menswear website of Net a Porter) coinciding with the release of Kingsman: The Secret Service, the upcoming film by Matthew Vaughn, starring Colin Firth, Sir Michael Caine and Samuel L. Jackson.

The site for Kingsman went live yesterday, with a complete selection of the clothing and accessories featured in the film, a 60-piece collection in all, promising to re-introduce the newest generations to the concept of the Savile Row crafted English suit. Designed in collaboration with Oscar winning costume designer Arianne Phillips, along with a team of British menswear artisans, this is a huge new way to sell both fashion and film. But don't expect to get those nifty, knife-wielding shoes anytime soon... Of course, I could never write a fashion story the way Martin-Bernard does, so for his take on this fabulous new initiative, which could do away with that dirty little word blockbusters are made of -- product placement -- in favor of great style, do read his article, in French, on Le Figaro's website.

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In the afternoon, I went to visit the IED Firenze, the local branch of the Istituto Europeo di Design, a concept that combines art, fashion design, graphic, communications and management to form a new type of student for a new age. The building where this gorgeously elegant school is housed used to be a bank, but with a lot of thought and work put in, to turn it into the appropriate space for the 400 plus students and the various courses offered. If there is one mantra that I've heard repeated while at Pitti Uomo it's the importance for the "Made in Italy" brand to evolve and adjust with the times, and a place like IED is at the forefront of this movement. This ain't your mother's fashion school and the clear, architectural lines of the building, combined with the no-nonsense approach by the school's director Alessandro Colombo create the perfect learning platform for great things to come.

2015-01-14-IMG_0706.jpg This year, the students from the different branches of IED around Italy were asked to create a series of down jackets for Colmar Originals. Colmar started as a brand in the 1930s, making workmen's overalls in very sturdy materials. But throughout the years, they have redeveloped into one of the best loved brands for snow jackets. In fact, walking through their pavilion at Pitti I spotted the latest trends for menswear, but also the cutest women's down jackets I've ever seen, some even doubling as fake furs. And I don't usually like anything down! The four winning jackets from the IED workshop with Colmar were also featured in the pavilion and my favorite just happened to come from four students in Florence. Those sleeves, that look, the way denim and even tweed are all combined makes for a look that's at once street wear and couture.

2015-01-14-Arrivo02.JPG The evening belonged to the Arrivo fashion show inside the old customs building La Dogana. You can't have fashion without a few shows, after all. I'll admit I love being seated in a cool, well located seat and not having to rough it the way I used to do at NYFW, back in the days. The show is the result of a special project by designers Stefano Ughetti and Matteo Gioli, the latter known mainly for his hat brand, SuperDuper Hats. The looks were inspired by bicycle riders of days gone by, and the show featured two men in the center of the action, riding away on their bikes, in shorts and tees.

But the wools, the materials in the show were magnificently soft and created this wonderful effect of suiting that appeared to be made of knit jersey. In what could also be described as black and white -- gray -- tartan. Am I stretching it? Probably, but that's what I'm going to call it.

After a magnificent dinner at Il Borro Tuscan Bistro on Lungarno Acciaiuoli, another venture by the Ferragamo family and one that will soon see new locations in both London and Dubai, I walked into my room only to find a wondrous package of endless possibilities left for me by the generous folks at Moreschi, the luxury shoe company for men. Did I mention I love gifts...

Images courtesy of Pitti Immagine, Pitti Uomo and IED, used with permission.

A Conversation With Los Angeles Designer, Ryan White

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The first time I met interior designer, Ryan White, he was graciously holding court during an intimate dinner at the Colony Palms Hotel in Palm Springs. He was dressed sharply in a crisp white button down, a dark sport jacket that slightly revealed three bracelets adorning his wrists and had his blond hair perfectly coifed. His dashing good looks and undeniable charm was reminiscent of the Hollywood's Golden Age, aligning perfectly with the spirit of the room. The smile on his face captured his enthusiasm for the amazing year he's been having as a designer.

Ryan recently came onto the Los Angeles design scene after moving from a successful modeling career with FORD models in New York. He quickly found his passion designing interiors in this city and in under one year has been recognized by publications like House Beautiful, Elle Decor and The Hollywood Reporter. At only 30 years old, Mr.White is being compared to designers like Kelly Wearstler and Nate Berkus helping his brand evolve into a complete lifestyle. We recently reconnected in Hollywood to talk more about his aesthetic, inspiration, aspirations and the future of Ryan White Designs.

What's the one word that best describes the last year for RWD?
Growth. On so many different levels.

How would you describe your aesthetic?
Highly cultivated. I like homes to look well traveled through different elements and select individual pieces. There is great joy in creating a space that reflects a lifetime of travel. I also have a passion for projects that promote "less is more" through modern and contemporary elements. It all comes down to the individual space and the inspired vision to transform it.

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Where do your ideas for each space come from?
When I step into a room, I approach it like a blank canvas. I allow the room to speak to me and go with my instincts from there to blend my vision with my client's personality to mold the finished room. It's amazing to see a vision so clearly in your mind and be given the liberty to bring it to life.

What makes a great room?
A room should feel like a symphony. There should be multiple layers that evoke all of your senses at once.

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You began your design career in Los Angeles to immediate success. Why did you choose to begin in LA over New York City?

I thought to take a leap and try it out in LA. As it turns out I fell in love with the city, my passion and my work. When I was presented with my first opportunity to design, I knew I was on the right path.

How did you feel when you designed your first project?

I felt like I was doing exactly what I should be doing. In the middle of the project I was like, "YES! I need to be doing this!" and that feeling has never stopped. Luckily, people responded well to my work and new projects were presented. This city has been very good to me.

What about interiors connected with you?

The idea of being able to live in the reality of art. A painting you can look at and you can think certain things, but a room that is well done, is livable art. You will have thousands of experiences in that room and it will constantly evoke emotions in you. I truly connected with the feeling of being able to create that and also exist in that.

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How do you stay inspired?
By constantly seeing that this world is limitless and there are always opportunities to conquer your fears and rise to new heights. It's all about putting it out there, dreaming as big as possible and believing you can make it happen.

What can we expect from Ryan White Designs next?
RWD is evolving from a design firm to a complete lifestyle brand. I'm ready to take it to the next level.


Portrait by Jonathan Clay Harris
Project photos by Steven Buskin

Valentine's Countdown: 5 Ways to Land a Date

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While New Year's might be a distant memory, It's only one month until Valentine's Day. If you're single, there's no need to be depressed or hide under the covers. If you're dating someone, but he hasn't asked you to be his Valentine just yet, here are some tips to enjoy the day, regardless of your relationship status. Remember, Valentine's is on a weekend this year and it's also during President's Day weekend, so think big and be optimistic.

1. Ramp up Your Online Search

Let's face it, everyone seems to be online theses days, so if you're not logging on EVERY day, checking your matches and responding quickly to his emails, some other girl just might get his attention faster. It's true what they say that the squeaky wheel gets the deal. If you can carve out time to go to the gym, you should be able to schedule time to log on daily. Make sure you've signed up for notifications of when someone has emailed you or made you their favorite so you can respond quickly. Ditch the old waiting game rules. This is how the digital dating world words.

2. Keep Swiping Right

If you're on Tinder, Hinge, or are using the mobile dating apps from your favorite online dating site, make more of an effort to log on and swipe right to your matches. It's really a numbers game. Unless your match is advertising for a hookup or looks like an ax murderer, swipe right and take a moment to say hello. A guy will be flattered to see the notification that you're digging him digitally. Remember to take your relationship from online to offline so you can meet IRL.

3. Attend Singles Events

The one thing about singles events is, everyone is in the same boat. They're single and are hoping to connect with someone. Check out Stir events in your city, RSVP to a MeetUp for a subject you're passionate about, and attend business networking events. The more you're out there in the public, the more opportunities you have to flirt with a potential date. Remember not to be too coy. Be bold and smile. Dr. Pat Allen, author of Getting to I Do, suggests the five-second stare. It may feel like an eternity, but it may bring you closer to that cute guy across the room. P.S. Remember to wear red! It's the color of love and romance and is known to attract men.

Related: Read Valentine's Survival Guide

4. Text an Ex

Did you know that 20 percent of singles do text an ex on or around Valentine's Day? So if both of you are single, why not get together and go down memory lane. Make sure you're on the same page and just enjoy the evening. You may not be rekindling, but the familiarity might just make it a fun evening rather than flying solo.

5. Don't Go Overboard

From going to an amusement park to ride the Ferris Wheel to taking a cooking class or going ice skating, make Valentine's Day a no-pressure experience if you're in a new relationship and aren't exclusive yet. There's no need to break the bank.

Related: Read 10 Fun Valentine's Date Ideas

Being single on Valentine's isn't the end of the world. Sure you go into stores and see nothing but boxes of red candy and roses throughout the grocery stores, but a new survey from U.K. online dating site Smooch.com shows that only 10 percent of the 2000 singles polled actually love Valentine's Day. Are the other 90 percent pretending to go along with the program?

Grab your BFF's, dress in pink or red, and head to the movies, a concert together or celebrate a day of friendship at lunchtime.

Valentine's Day isn't always about love. It's about spending quality time with someone you really like.

Are you a fan or foe of Valentine's Day?

Original article appeared on CyberDatingExpert.com

Follow @JulieSpira on Twitter

Julie Spira is America's Top Online Dating Expert and Digital Matchmaker. She was an early adopter of online dating and creates Irresistible Profiles for singles on the dating scene. For more online dating advice like us at Facebook.com/CyberDatingExpert and sign up for the Free Weekly Flirt newsletter.

150 Reasons Why We Have Not Yet Reached Peak Beard

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The demise of the Beard has been vastly overstated.

Hirsute taste-makers were put on notice last April in a Guardian Australia article, "Fashion-conscious men warned we may have reached 'peak beard'." The piece cited research by the University of New South Wales in Sydney that concluded: when you're shown a succession of images of bearded men, clean-shaven guys become more attractive to you.

No big hairy surprise there, but the headline's prediction of calamity to "fashion-conscious" men who are enjoying letting their face freak flag fly was clearly an absurd ruse meant to mislead people. "Watch out," the pogonophobes seem to shriek, waving their razors and clippers and every other epilator known to the huge hair-removal industry, "you endangered beardos, your time is up! May as well get out those clippers and razors right now and do what we fasionistas demand must be the end of the trend of the beardly man."

The researcher admitted, "it was hard to tell how the experiment related to the real world" despite his conclusion that "the fashion for beards might be reaching its zenith."

For those of us observing this trend in the real world, any cursory scan of cable TV programming will demonstrate that there is no evidence that consumers and the ad agencies that love them are suffering from beard or mustache fatigue. To the point, when multimillion-dollar ad campaigns increasingly place male actors with facial hair into prominence, any claim that we have reached "peak beard" must be considered premature. Some, like Old Spice, even put ridiculous fake beards on their pitchmen (they couldn't find a guy with a real beard? Really?).

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Following is a list of major brands that used beards to sell their products and services over the past 14 weeks, everything from household gadgets to luxury cars, with links to some of the 365+ images on my Pinterest board, Beards on TV Ads. From AARP to Zzzquil, a huge market still defies the pogonophobes and hair-naysayers. Images of man-fur, fuzzy-faced men, and beards continue to mature and develop in pop culture, as evidenced by the cold hard cash that these corporations are willing to part with to support the continuing appeal of poilus.

AARP. Absolut. Acura. Aflac. Aleve. Alka-Seltzer. Allstate. American Express. Amica. Android. Android Tracfone. Angie's List. Appleby's. AT&T. Audi. Bayer. BMW. Booking.com. Brother. Bud Light. Cadillac. Campbell's. Capital One. Cascade. Chase. Cheerios. Cigna. Cîroc. Cheetos. Chevy. Coke. Coors. Corona. Crest. CSX. CVSHealth. Dawn. Depend. Delta. Denny's. Dewars. DirecTV. Discover Card. Dodge. Dollar Shave Club. Doritos. Dos Equis, "The Most Interesting Man in the World." Duluth Trading Co. Dunkin' Donuts. eHarmony. Eliquis. FedEx. Fiber One. Ford. Frosted Mini-Wheats. Gatorade. GE. Geico. GoGurt. Google. GrubHub. H&R Block, sponsor of the 2012 Washington, DC "Million Mustache March." Heineken. Hewlett-Packard. Honda. Hotels.com, "Captain Obvious." Hulu. Humira. IHOP. Infiniti. Jack Daniels. Jameson. Just for Men for Beards. KFC. Kia. KitKat. Laser Spine Institute. Legal Zoom. Lexus. Liberty Mutual. Lincoln. Lipton. Little Caesars Pizza. L.L. Bean. MasterCard. McDonald's. Men's Wearhouse. Mercedes-Benz. Microsoft Cloud. Miller. Mio. Motorola. National Car Rental. Nestle's. Nexium. Nicorette. Nike. Nintendo. Nissan Altima. Ocuvite. Office Depot. Oxyclean, the late great Billy Mays. Pizza Hut. Priceline. Prilosec. Progressive. Prudential. Ram trucks. Realtors. Sabra. Safelite. Salonpas. Sam Adams. Samsung Galaxy. Silk. Skittles. Smirnoff, "Okay, beardo." Smith & Forge. Sony. Sprint. Sprint Framily Plan. "More beard!" State Farm. Subaru. Subway. T-Mobile. Taco Bell. TD Ameritrade. The North Face. Toshiba. Totino's. Toyota. TrueCar. Tullamore Dew. Tums. Tylenol. University of Phoenix. UPS. Verizon. Viagra. Vistaprint. Vizio. VW. Wallet Ninja. Wendy's. Whole Foods Market. Xarelto. Xeljanz. Zillow. Zzzquil.

Dr. Kevin Clarke, the author of Beards: An Unshaven History, pointed out in an interview "how three very different groups of people adopted beards after 2001 for very different reasons, but collectively inspired the world to grow back big old-fashioned beards." These groups are gay/bi bears, cowboy fashion renaissance post-9/11, and "asexual hipsters, adopting the Taliban beard as an anti-establishment statement, but eliminating its political implications."

American ad agencies are arguably more "real world" than the UNSW research study sample of 1,453 bisexual or heterosexual women and 213 straight men (exclusion of gay and bi men and lesbians should raise doubts as to the legitimacy of the study methodology). The study also noticed a reverse effect, in which people shown a succession of clean-shaven images found that bearded or scruffy men became more attractive; however, this shaven-face fatigue factor in the study is conveniently ignored when proclaiming the the Beard is dead, long live the Beard.

Bearders are gonna beard, shavers are gonna shave, but even in a post-Whisker Wars world, clearly lumbersexuality is on the rise and peak beard is not yet within sight. As far as the pogonophiles are concerned, there is still ample room for the beard to grow and flourish.

PSA: Sometimes One Earring Is Better Than Two

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